A never published graphic designed by renowned graphic and fontdesigner
Michael Doret:
This graphic first used in a similar form for the cover of a Time magazine in the very early 1980s, was designed by renowned graphic designer Michael Doret for one of the first big articles in
regards to the drug trade between Columbia and the United States:
Information about Michael DORET, graphic and fontdesigner:
A graduate of the Cooper Union, Michael opened his own design studio, first in New York City and later in Hollywood. A specialist in logos and letterforms, Michael's unique typographic vision
blends elements of lettering, illustration and graphic design. The inspiration for his work has come from such diverse sources as matchbook covers, theater marquees, enamel signs, early and
mid-20th century packaging, and various other American artifacts.
In 2006 he turned his energies towards font design, opening Alphabet Soup Type Founders with the release of two fonts - Orion MD and Metroscript and one font family - Powerstation. Simultaneous
with the release of his fonts he published limited edition serigraph posters celebrating the new designs. In March of 2008 Alphabet Soup released Michael's 21st century update of the 20th century
classic Bank Gothic. His Bank Gothic AS distinguishes itself by being the first version of this font (originally designed in 1930 by Morris Fuller Benton) to have a complete set of lowercase
characters. Heretofore Bank Gothic had only been available in caps and shortcaps versions.
Michael is an eight time recipient of the NY Art Director's Club Silver Award. He has exhibited work in all the major industry shows and annuals: Society of Illustrators, American Institute of
Graphic Arts (AIGA), Type Directors Club (TDC), Communication Arts (CA) Annual and the CA Art Annual, Graphis, The Print Casebooks and the Print's Regional Design Annuals, Creativity, the ANDYs,
the DESIs, and American Corporate Identity. His "Bedlam Ballroom" CD packaging project for the "Squirrel Nut Zippers" was nominated for a Grammy for Best Recording Package at the 44th Annual GRAMMY
Awards. His serigraph for PowerStation was a Graphis Gold Award winner, and his poster for PowerStation was a winner in Print's Regional design Annual
Features on his work have appeared in national and international publications such as HOW, Step-by-Step Graphics, Art Direction, U&LC, IDEA (Japan) and Grafica (Brazil). In addition, features
on his work have appeared in various books such as "Then Is Now", "A History of Graphic Design" and "Adobe Master Class: Illustrator Illuminated". He has lectured extensively in Universities and
graphics organizations in many cities across the United States
His clients have included the National Basketball Association, Major League Baseball, Walt Disney Imagineering, Warner Bros., Universal Studios, Nike, Adidas, Time Magazine, TV Guide, United States
Postal Service, Graphic Artists Guild, Conde Nast, Dow Jones, Playboy, Capitol Records, Columbia Records, Taschen Publishing and all the major US advertising agencies.
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